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S < 6 `P   R*   < 6Ў `   T*  H < 0޽h ? ̙3380___PPT10.O Z(P 0L0 } (  b  03,$D  0  6@?  0,$D  0 yCurso de Literatura,$ b  0Xp,$D  0B  s *D> ,$D  0B  s *D>,$D  0B   s *D>  ,$D  0   0@"T ,$ 0 \Poesa (2`H  0޽h ? ̙33[S___PPT103+X͟D' = @B Db' = @BA?%,( < +O%,( < +D' =%(D' =%(D1' =4@BBBB%(D' =1:Bvisible*o3>+B#style.visibility<*%(D' =-m6Bbox(in)*<3<*D' =%(D1' =4@BBBB%(D' =1:Bvisible*o3>+B#style.visibility<*%(D' =-m6Bbox(in)*<3<*D' =%(D>' =A@BBBB0B%(D' =1:Bvisible*o3>+B#style.visibility<*%(D' =-m6Bbox(in)*<3<*D' =%(D1' =4@BBBB%(D' =1:Bvisible*o3>+B#style.visibility<* %(D' =-m6Bbox(in)*<3<* D' =%(D1' =4@BBBB%(D' =1:Bvisible*o3>+B#style.visibility<*%(D' =-m6Bbox(in)*<3<*D' =%( D1' =4@BBBB%(D' =1:Bvisible*o3>+B#style.visibility<*%(D' =-m6Bbox(in)*<3<*D' =%( Dv' =A@BBB B0B@B%(D' =1:Bvisible*o3>+B#style.visibility<* %(D' K=-6B-randombar(horizontal)*<3<* +p+0+0 ++0+ 0 +0 0L0  } 0   (   b  03,$D  0  6(  0,$D  0 aCurso de Literatura,  ,b  0Xp,$D  0B  s *D> ,$D  0B  s *D>,$D  0B  s *D>,$D  0  0`P,$D 0 Poesa: Versificacin@(2  ,2  B>s" S,$D 0 UMtrica  ,  6t># B ,$D 0 7Arte que trata de la medida y estructura de los versos.8(28 8 ,B  s *D>S# ,$D 0'  NL3> v,$D  0 u'Verso Llano Verso Agudo Verso Esdrjulo((2( ( ,H  0޽h ? ̙33;3___PPT10+'UDO' = @B D ' = @BA?%,( < +O%,( < +DA' =%(%(D' =%(Dv' =A@BBB B0B@B%(D' =1:Bvisible*o3>+B#style.visibility<* %(D' ,=-6B-randombar(horizontal)*<3<* D' =%(,D' =4@BBBB%(D' =1:Bvisible*o3>+B#style.visibility<* %(D' =%( DZ' =A@BBB B0B%(D' =1:Bvisible*o3>+B#style.visibility<* %(D' =-6B-randombar(horizontal)*<3<* DU' =%(D' =A@BBBB0B%(D' =1:Bvisible*o3>+B#style.visibility<* %(D' =+4 8?\CB#ppt_xBCB#ppt_xB*Y3>B ppt_x<* D#' =+4 8?nCB!#ppt_y-#ppt_h/2BCB#ppt_yB*Y3>B ppt_y<* D' =+4 8?\CB#ppt_wBCB#ppt_wB*Y3>B ppt_w<* D' =+4 8?RCBBCB#ppt_hB*Y3>B ppt_h<* ++0+ 0 ++0+ 0 ++0+ 0 + 0L0   @  (  b  03,$D  0  6  0,$D  0 aCurso de Literatura,  ,b  0Xp,$D  0B  s *D> ,$D  0B  s *D>,$D  0B  s *D>,$D  0  0@`P,$D 0 Poesa: Versificacin@(2  ,2   B>  ,$D 0 UMtrica  ,   0 ,$D 0 s'Verso Llano Verso Agudo Verso Esdrjulo( 2( ( ,q   H`GH@>   ,$D 0 kTermina en una palabra llana; el nmero de slabas gramaticales coincide con el nmero de slabas poticas.*lj l ,2   B\.3>` P `,$D 0 RSo- que t me lle-va-bas 1 2 3 4 5 6 7 8HS1Z , , , , , ,5 ,B  s *@P@,$D 0H  0޽h ?  ̙33___PPT10+ȻD' = @B D' = @BA?%,( < +O%,( < +D' =%(%(D' =%(D3' =4@BB BB%(D' =1:Bvisible*o3>+B#style.visibility<*%(D' =-o6Bdissolve*<3<*D' =%(D' =A@BBBB0B%(D' =1:Bvisible*o3>+B#style.visibility<* %(D' =%(D' =A@BBBB0B%(D' =1:Bvisible*o3>+B#style.visibility<* %(+p+0+ 0 ++0+ 0 +; 0L0 $  P  (  b  03,$D  0  6.  0,$D  0 yCurso de Literatura,$ b  0Xp,$D  0B  s *D> ,$D  0B  s *D>,$D  0B  s *D>,$D  01  0.`P,$D 0 Poesa: Versificacin@(2$ 2   B.>' ,$D 0 [Mtrica'   0. ,$D 0 'Verso Llano Verso Agudo Verso Esdrjulo( 2(,    H%.GzHB> @ p ,$D 0 HTTermina en una palabra aguda; al contar las slabas se le aade una slaba al total.UU |2   B/.3>0 ,$D 0 JY to-do por el a-mor 1 2 3 4 5 6 7 + 1 = 8<K2, 3B   s *  ,$D 0H  0޽h ?  ̙33___PPT10+V)D' = @B D' = @BA?%,( < +O%,( < +D' =%(%(D' =%(D3' =4@BB BB%(D' =1:Bvisible*o3>+B#style.visibility<* %(D' =-o6Bdissolve*<3<* D' =%(D' =A@BBBB0B%(D' =1:Bvisible*o3>+B#style.visibility<* %(D' =%(D' =A@BBBB0B%(D' =1:Bvisible*o3>+B#style.visibility<* %(+p+0+ 0 ++0+ 0 +x 0L0 a Y `  (  b  03,$D  0  6hz.  0,$D  0 yCurso de Literatura,$ b  0Xp,$D  0B  s *D> ,$D  0B  s *D>,$D  0B  s *D>,$D  01  0p.`P,$D 0 Poesa: Versificacin@(2$ 2   Bh.>  ,$ 0 [Mtrica'   0. ,$ 0 'Verso Llano Verso Agudo Verso Esdrjulo( 2(,    Ht.GHr> P c ,$D 0 LXTermina en una palabra esdrjula; al contar las slabas se le resta una slaba al total.YY  2   B.3> P 0,$D 0 SBe-s tu fren-te l-vi-da. 1 2 3 4 5 6 7 8 -1 = 7HT5P8B   s * P@ ,$D 0H  0޽h ?  ̙33___PPT10+V)D' = @B D' = @BA?%,( < +O%,( < +D' =%(%(D' =%(D3' =4@BB BB%(D' =1:Bvisible*o3>+B#style.visibility<* %(D' =-o6Bdissolve*<3<* D' =%(D' =A@BBBB0B%(D' =1:Bvisible*o3>+B#style.visibility<* %(D' =%(D' =A@BBBB0B%(D' =1:Bvisible*o3>+B#style.visibility<* %(+p+0+ 0 ++0+ 0 += 0L0   p  (  b  03,$D  0  6د.  0,$D  0 yCurso de Literatura,$ b  0Xp,$D  0B  s *D> ,$D  0B  s *D>,$D  0B  s *D>,$D  01  0.`P,$D 0 Poesa: Versificacin@(2$ !2  BȻ.>- ,$D 0 {Clasificacin Mtrica$  2  B.> d ,$D 0 f Arte Menor  2  B.>  ,$D 0 D Arte Mayor  B @ s *D> dd  ,$D 0B  s *D> Dt ,$D 0H  0޽h ? ̙33___PPT10+hrZD ' = @B D ' = @BA?%,( < +O%,( < +D ' =%(%(D' =%(Dv' =A@BBB B0B@B%(D' =1:Bvisible*o3>+B#style.visibility<*%(D' ,=-6B-randombar(horizontal)*<3<*D' =%(XD' =4@BBBB%(D' =1:Bvisible*o3>+B#style.visibility<*%(D' =%(LDv' =A@BBB B0B@B%(D' =1:Bvisible*o3>+B#style.visibility<*%(D' ,=-6B-randombar(horizontal)*<3<*D' =%(D' =4@BBBB%(D' =1:Bvisible*o3>+B#style.visibility<*%(D' =%(Dv' =A@BBB B0B@B%(D' =1:Bvisible*o3>+B#style.visibility<*%(D' ,=-6B-randombar(horizontal)*<3<*++0+0 ++0+0 ++0+0 +A  0L0   9$: (  $b $ 03,$D  0 $ 6.  0,$D  0 yCurso de Literatura,$ b $ 0Xp,$D  0B $ s *D> ,$D  0B $ s *D>,$D  0B $ s *D>,$D  01 $ 0<.`P,$D 0 Poesa: Versificacin@(2$ !2  $ B(.>dD ,$ 0 {Clasificacin Mtrica$ B  $@ s *D>4 ,$D 0" $ B .>&  ,$D 0 ugSon aquellos versos que tienen menos de nueve slabas. Estos versos se anotan con una letra minscula.hh  B $ s *D>v & ,$D 0` 9$ NϯK(33> $,$D  0 Verso Slabas Bislabo 2 Trislabo 3 Tetraslabo 4 Pentaslabo 5 Hexaslabo 6 Heptaslabo 7 Octoslabo 8 J          2  $ Bt 3> T ,$D 0 f Arte Menor  H $ 0޽h ? ̙33___PPT10+̛!sD3'  3= @B D' = @BA?%,( < +O%,( < +D%' =%(%(D' =%(D' =4@BBBB%(D' =1:Bvisible*o3>+B#style.visibility<* $%(D' =%(Dv' =A@BBB B0B@B%(D' =1:Bvisible*o3>+B#style.visibility<* $%(D' ,=-6B-randombar(horizontal)*<3<* $D' =%(LD' =4@BBBB%(D' =1:Bvisible*o3>+B#style.visibility<*$%(D' =%(@DZ' =A@BBB B0B%(D' =1:Bvisible*o3>+B#style.visibility<*$%(D' =-6B-randombar(horizontal)*<3<*$DU' =%(4D' =A@BBBB0B%(D' =1:Bvisible*o3>+B#style.visibility<*9$%(D' =+4 8?\CB#ppt_xBCB#ppt_xB*Y3>B ppt_x<*9$D#' =+4 8?nCB!#ppt_y-#ppt_h/2BCB#ppt_yB*Y3>B ppt_y<*9$D' =+4 8?\CB#ppt_wBCB#ppt_wB*Y3>B ppt_w<*9$D' =+4 8?RCBBCB#ppt_hB*Y3>B ppt_h<*9$++0+$0 ++0+9$0 ++0+ $0 +  0L0 r j , (  ,b , 03,$D  0 , 6L3  0,$D  0 yCurso de Literatura,$ b , 0Xp,$D  0B , s *D> ,$D  0B , s *D>,$D  0B , s *D>,$D  01 , 0$3`P,$D 0 Poesa: Versificacin@(2$ !2  , B+3>" R,$ 0 {Clasificacin Mtrica$ B  ,@ s *D>R ,$D 0"  , Bl13>  ,$D 0 rdSon aquellos versos que tienen ms de ocho slabas. Estos versos se anotan con una letra mayscula.ee  B  , s *D>D  ,$D 0M , NϯK<33> Y,$D  0  Verso Slabas Eneaslabo 9 Decaslabo 10 Endecaslabo 11 Dodecaslabo 12 Trecislabo 13 Alejandrino 14 J        2  , BI3>d  ,$D 0 D Arte Mayor  H , 0޽h ? ̙33___PPT10+xzGD3' L3= @B D' = @BA?%,( < +O%,( < +D%' =%(%(D' =%(D' =4@BBBB%(D' =1:Bvisible*o3>+B#style.visibility<* ,%(D' =%(Dv' =A@BBB B0B@B%(D' =1:Bvisible*o3>+B#style.visibility<* ,%(D' ,=-6B-randombar(horizontal)*<3<* ,D' =%(LD' =4@BBBB%(D' =1:Bvisible*o3>+B#style.visibility<* ,%(D' =%(@DZ' =A@BBB B0B%(D' =1:Bvisible*o3>+B#style.visibility<* ,%(D' =-6B-randombar(horizontal)*<3<* ,DU' =%(4D' =A@BBBB0B%(D' =1:Bvisible*o3>+B#style.visibility<*,%(D' =+4 8?\CB#ppt_xBCB#ppt_xB*Y3>B ppt_x<*,D#' =+4 8?nCB!#ppt_y-#ppt_h/2BCB#ppt_yB*Y3>B ppt_y<*,D' =+4 8?\CB#ppt_wBCB#ppt_wB*Y3>B ppt_w<*,D' =+4 8?RCBBCB#ppt_hB*Y3>B ppt_h<*,++0+ ,0 ++0+,0 ++0+ ,0 + 0L0 D <  8 (  8b 8 03,$D  0 8 6H_3  0,$D  0 yCurso de Literatura,$ b 8 0Xp,$D  0B 8 s *D> ,$D  0B 8 s *D>,$D  0B 8 s *D>,$D  01 8 0pf3`P,$D 0 Poesa: Versificacin@(2$ 2  8 BLl3>^  n,$D 0 xLicencias Poticas$ B  8 s *D>npp ,$D 0B  8 6o3> P ,,$D 0 |Recursos que utiliza el poeta para mantener el nmero de slabas del verso, ignorando las normas establecidas del lenguaje.}(2}  x 8 Np33>Y0 Y,$D  0 "Sinalefa Hiato Sinresis Diresis 8"(2"H H 8 0޽h ? ̙33;3___PPT10+IDO' 3= @B D ' = @BA?%,( < +O%,( < +DA' =%(%(D' =%(Dv' =A@BBB B0B@B%(D' =1:Bvisible*o3>+B#style.visibility<* 8%(D' ,=-6B-randombar(horizontal)*<3<* 8D' =%(XD' =4@BBBB%(D' =1:Bvisible*o3>+B#style.visibility<* 8%(D' =%(LDZ' =A@BBB B0B%(D' =1:Bvisible*o3>+B#style.visibility<* 8%(D' =-6B-randombar(horizontal)*<3<* 8DU' =%(@D' =A@BBBB0B%(D' =1:Bvisible*o3>+B#style.visibility<*8%(D' =+4 8?\CB#ppt_xBCB#ppt_xB*Y3>B ppt_x<*8D#' =+4 8?nCB!#ppt_y-#ppt_h/2BCB#ppt_yB*Y3>B ppt_y<*8D' =+4 8?\CB#ppt_wBCB#ppt_wB*Y3>B ppt_w<*8D' =+4 8?RCBBCB#ppt_hB*Y3>B ppt_h<*8++0+ 80 ++0+ 80 ++0+80 +  0L0 +|M(  |2 )| jA(ԔLarge checker boardz ,$D 0b | 03,$D  0 | 6L3  0,$D  0 yCurso de Literatura,$ b | 0Xp,$D  0B | s *D> ,$D  0B | s *D>,$D  0B | s *D>,$D  01 | 0h3`P,$D 0 Poesa: Versificacin@(2$ 2  | B3> ` ,$D  0 xLicencias Poticas$ =  | 036 a ,$D 0 !Sinalefa Hiato Sinresis Diresis" 2"H   | H3GH0>  F ,$D 0 dLa unin , dentro del mismo verso, de la vocal final de una palabra a la vocal inicial de la palabra siguiente, aunque sta comience con  h . Se pueden unir ms de dos palabras. j#   l2  | B33> ,$D 0 @Ca-mi-nan-te, no hay ca-mi-no& H! B  | s *fP@,$D 0H | 0޽h ? | ̙33N F ___PPT10& +1<D ' = @B DU ' = @BA?%,( < +O%,( < +D ' =%(%(D' =%(D3' =4@BB BB%(D' =1:Bvisible*o3>+B#style.visibility<* |%(D' =-o6Bdissolve*<3<* |D' =%(D' =A@BBBB0B%(D' =1:Bvisible*o3>+B#style.visibility<* |%(D' =%(D' =A@BBBB0B%(D' =1:Bvisible*o3>+B#style.visibility<* |%(D' =%(DG' =4@BBB B%(D' =1:Bvisible*o3>+B#style.visibility<*)|%(D' =-6B'blinds(horizontal)*<3<*)|+p+0+ |0 ++0+ |0 +6 0L0 xp (  2  jA(ԔLarge checker board ` ,$D 0b  03,$D  0  6f  0,$D  0 yCurso de Literatura,$ b  0Xp,$D  0B  s *D> ,$D  0B  s *D>,$D  0B  s *D>,$D  01  0=`P,$D 0 Poesa: Versificacin@(2$ 2  BHs> ` ,$D 0 xLicencias Poticas$ =  0y ; ,$D 0 !Sinalefa Hiato Sinresis Diresis" 2"H e  HGHE> (  ,$D 0 La separacin de las vocales que normalmente deberan estar unidas en una sinalefa. Se usa para obtener un nmero especfico de slabas. A veces ocurre cuando una de las vocales est acentuada.    ^2  Bȓ3> @,$D 0 DCa-mi-nan-te, no - hay ca-mi-no& 6# B  s * P@P ,$D 0H  0޽h ?  ̙33N F ___PPT10& +RʑD ' = @B DU ' = @BA?%,( < +O%,( < +D ' =%(%(D' =%(D3' =4@BB BB%(D' =1:Bvisible*o3>+B#style.visibility<* %(D' =-o6Bdissolve*<3<* D' =%(D' =A@BBBB0B%(D' =1:Bvisible*o3>+B#style.visibility<* %(D' =%(D' =A@BBBB0B%(D' =1:Bvisible*o3>+B#style.visibility<* %(D' =%(DG' =4@BBB B%(D' =1:Bvisible*o3>+B#style.visibility<*%(D' =-6B'blinds(horizontal)*<3<*+p+0+ 0 ++0+ 0 + 0L0    (  2  jA(ԔLarge checker boardP ,$D 0b  03,$D  0  6  0,$D  0 yCurso de Literatura,$ b  0Xp,$D  0B  s *D> ,$D  0B  s *D>,$D  0B  s *D>,$D  01  0`P,$D 0 Poesa: Versificacin@(2$ 2  B> ` ,$D 0 xLicencias Poticas$ =  0̶ ; ,$D 0 !Sinalefa Hiato Sinresis Diresis" 2"H   HXG_H8^>   ,$D 0 jhOcurre cuando en el interior de una palabra, se unen dos vocales que generalmente no forman un diptongo.*ig I2  Bȍ3>` `,$D 0  P- oe -taJ ,B  s * p ,$D 0H  0޽h ?  ̙33N F ___PPT10& +_D ' = @B DU ' = @BA?%,( < +O%,( < +D ' =%(%(D' =%(D3' =4@BB BB%(D' =1:Bvisible*o3>+B#style.visibility<* %(D' =-o6Bdissolve*<3<* D' =%(D' =A@BBBB0B%(D' =1:Bvisible*o3>+B#style.visibility<* %(D' =%(D' =A@BBBB0B%(D' =1:Bvisible*o3>+B#style.visibility<* %(D' =%(DG' =4@BBB B%(D' =1:Bvisible*o3>+B#style.visibility<*%(D' =-6B'blinds(horizontal)*<3<*+p+0+ 0 ++0+ 0 + 0L0    (  2  jA(ԔLarge checker board @,$D 0b  03,$D  0  6ۍ  0,$D  0 yCurso de Literatura,$ b  0Xp,$D  0B  s *D> ,$D  0B  s *D>,$D  0B  s *D>,$D  01  0P`P,$D 0 Poesa: Versificacin@(2$ 2  Bd> ` C,$D 0 xLicencias Poticas$ =  0 ,$D 0 !Sinalefa Hiato Sinresis Diresis" 2"H   HGH> P @ ,$D 0 ecContrario a la sinresis; ocurre cuando se separan dos vocales que generalmente forman un diptongo.*dc   O2  B3>`  ,$D 0  G -an - te`  B  s * p ,$D 0H  0޽h ?  ̙33N F ___PPT10& +RʑD ' = @B DU ' = @BA?%,( < +O%,( < +D ' =%(%(D' =%(D3' =4@BB BB%(D' =1:Bvisible*o3>+B#style.visibility<* %(D' =-o6Bdissolve*<3<* D' =%(D' =A@BBBB0B%(D' =1:Bvisible*o3>+B#style.visibility<* %(D' =%(D' =A@BBBB0B%(D' =1:Bvisible*o3>+B#style.visibility<* %(D' =%(DG' =4@BBB B%(D' =1:Bvisible*o3>+B#style.visibility<*%(D' =-6B'blinds(horizontal)*<3<*+p+0+ 0 ++0+ 0 +6 0L0 o g   (  b  03,$D  0  6  0,$D  0 yCurso de Literatura,$ b  0Xp,$D  0B  s *D> ,$D  0B  s *D>,$D  0B  s *D>,$D  01  0x`P,$D 0 Poesa: Versificacin@(2$ 2  B">  ,$D 0 XRimaB  s *D>pp ,$D 0f  6'>  I,$D 0 4Identidad en los sonido finales de dos o ms versos.,5(24fH    N@.3>~ >,$D  0 7Consonante Asonante Abrazada Encadenada Gemela Contnua8(28l  H  0޽h ? ̙33WO___PPT10/+r+VDk' 9= @B D&' = @BA?%,( < +O%,( < +D]' =%(%(D' =%(Dv' =A@BBB B0B@B%(D' =1:Bvisible*o3>+B#style.visibility<* %(D' ,=-6B-randombar(horizontal)*<3<* D' =%(,D' =4@BBBB%(D' =1:Bvisible*o3>+B#style.visibility<* %(D' =%( Dv' =A@BBB B0B@B%(D' =1:Bvisible*o3>+B#style.visibility<* %(D' ,=-6B-randombar(horizontal)*<3<* DU' =%(D' =A@BBBB0B%(D' =1:Bvisible*o3>+B#style.visibility<*%(D' =+4 8?\CB#ppt_xBCB#ppt_xB*Y3>B ppt_x<*D#' =+4 8?nCB!#ppt_y-#ppt_h/2BCB#ppt_yB*Y3>B ppt_y<*D' =+4 8?\CB#ppt_wBCB#ppt_wB*Y3>B ppt_w<*D' =+4 8?RCBBCB#ppt_hB*Y3>B ppt_h<*++0+ 0 ++0+ 0 ++0+0 + 0L0    A (  b  03,$D  0  6dC  0,$D  0 yCurso de Literatura,$ b  0Xp,$D  0B  s *D> ,$D  0B  s *D>,$D  0B  s *D>,$D  01  0K`P,$D 0 Poesa: Versificacin@(2$ 2  B8R> ` ,$D 0 XRimaw  0Vp ,$D 0 7Consonante Asonante Abrazada Encadenada Gemela Contnua8 28l  $  HSGhH(>  p ,$D 0 xl(o Rima Perfecta) Ocurre cuando hay igualdad de vocales y consonantes, a partir de la ltima vocal acentuada>m ]   2  BXi3Ԕ ,$D 0 nSi lo terreno acaba, en suma, Cielo e infierno, y nuestras vidas son la espuma De un mar eterno. Rubn Daroo33 33 33  B  s *uP@ ,$D 0H  0޽h ?  ̙33  ___PPT10 +XD ' = @B D ' = @BA?%,( < +O%,( < +D ' =%(%(D' =%(Dv' =A@BBB B0B@B%(D' =1:Bvisible*o3>+B#style.visibility<* %(D' ,=-6B-randombar(horizontal)*<3<* D' =%(D3' =4@BB BB%(D' =1:Bvisible*o3>+B#style.visibility<*%(D' =-o6Bdissolve*<3<*D' =%(D' =A@BBBB0B%(D' =1:Bvisible*o3>+B#style.visibility<* %(D' =%( D' =A@BBBB0B%(D' =1:Bvisible*o3>+B#style.visibility<* %(++0+ 0 ++0+ 0 ++0+ 0 + 0L0     (  b  03,$D  0  6  0,$D  0 yCurso de Literatura,$ b  0Xp,$D  0B  s *D> ,$D  0B  s *D>,$D  0B  s *D>,$D  01  0`P,$D 0 Poesa: Versificacin@(2$ 2  B̗> ` ,$D 0 XRimaw  0Dp ,$D  0 7Consonante Asonante Abrazada Encadenada Gemela Contnua8 28l  A  HG.H W> C p ,$D 0 w(o Rima Imperfecta) Ocurre cuando hay igualdad de vocales (y no de consonantes), a partir de la ltima vocal acentuada >xf   e2  B@3Ԕ / ,$D 0 uCaminante, son tus huellas El camino, y nada ms, Caminante, no hay camino, Se hace camino al andar. Antonio Machadorv.1    B  s * p6 ,$D 0H  0޽h ?  ̙33___PPT10+5$D' = @B D' = @BA?%,( < +O%,( < +D' =%(%(D' =%(D3' =4@BB BB%(D' =1:Bvisible*o3>+B#style.visibility<*%(D' =-o6Bdissolve*<3<*D' =%(D' =A@BBBB0B%(D' =1:Bvisible*o3>+B#style.visibility<* %(D' =%(D' =A@BBBB0B%(D' =1:Bvisible*o3>+B#style.visibility<* %(+p+0+ 0 ++0+ 0 +m 0L0   (  b  03,$D  0  6ɓ  0,$D  0 yCurso de Literatura,$ b  0Xp,$D  0B  s *D> ,$D  0B  s *D>,$D  0B  s *D>,$D  01  0Г`P,$D 0 Poesa: Versificacin@(2$ 2  Bד> ` ,$D 0 XRimaw  0<ܓp ,$D 0 7Consonante Asonante Abrazada Encadenada Gemela Contnua8 28l    HGH> S S ,$D 0 1COcurre cuando el esquema de la rima es ABBA, CDDC, abba, cddc, etc.LD'~ B  s * P@ ,$D 0  6(3Ԕ P ,$D 0 Hombres necios que acusis, A a la mujer sin razn, B Sin ver que sois la ocasin B De lo mismo que culpis. A Sor Juana Ins de la Cruz, 3333 H  0޽h ?  ̙33p h ___PPT10H +D' = @B Dw' = @BA?%,( < +O%,( < +D' =%(%(D' =%(D3' =4@BB BB%(D' =1:Bvisible*o3>+B#style.visibility<*%(D' =-o6Bdissolve*<3<*D' =%(D' =A@BBBB0B%(D' =1:Bvisible*o3>+B#style.visibility<* %(D' =%(DZ' =A@BBB B0B%(D' =1:Bvisible*o3>+B#style.visibility<*%(D' =-6B-randombar(horizontal)*<3<*+p+0+ 0 ++0+0 +  0L0 d\0 (  b  03,$D  0  6H  0,$D  0 yCurso de Literatura,$ b  0Xp,$D  0B  s *D> ,$D  0B  s *D>,$D  0B  s *D>,$D  01  0`P,$D 0 Poesa: Versificacin@(2$ 2  B,> ` P,$D 0 XRimaw  0htp ],$D 0 7Consonante Asonante Abrazada Encadenada Gemela Contnua8 28l  =  HGSH> "  ,$D 0 U(O Rima Cruzada) Ocurre cuando el esquema de la rima es ABAB, CDCD, abab, cdcd, etc. nV ) B  s * P@` ,$D 0&  6Ô3Ԕ `p,$D 0 tIban cargndola en andas a Obispos y embajadores; b Detrs iba el pueblo en tandas a Todo cargado de flores& b Jos Mart33 33   H  0޽h ?  ̙339 1 ___PPT10 +jD ' = @B D@ ' = @BA?%,( < +O%,( < +Dw' =%(%(D' =%(D3' =4@BB BB%(D' =1:Bvisible*o3>+B#style.visibility<*%(D' =-o6Bdissolve*<3<*D' =%(DZ' =A@BBB B0B%(D' =1:Bvisible*o3>+B#style.visibility<* %(D' =-6B-randombar(horizontal)*<3<* D' =%(DZ' =A@BBB B0B%(D' =1:Bvisible*o3>+B#style.visibility<*%(D' =-6B-randombar(horizontal)*<3<*+p+0+ 0 ++0+0 + 0L0 $@  (  b  03,$D  0  6\  0,$D  0 yCurso de Literatura,$ b  0Xp,$D  0B  s *D> ,$D  0B  s *D>,$D  0B  s *D>,$D  01  0@`P,$D 0 Poesa: Versificacin@(2$ 2  Bx > ` P,$D 0 XRimaw  0p ],$D 0 7Consonante Asonante Abrazada Encadenada Gemela Contnua8 28l    HdGH> P ,$D 0 "BOcurre cuando el esquema de la rima es AABB, CCDD, aabb, ccdd, etc>C'~ B  s * P@ ,$D 0U  6$3ԔP ,$D 0 Una terrible ventura, a Su primitiva escultura, a Va a su sacrificio unida b Como de pliegue a la herida. b Leopoldo Lugones  23333     H  0޽h ?  ̙33p h ___PPT10H +D' = @B Dw' = @BA?%,( < +O%,( < +D' =%(%(D' =%(D3' =4@BB BB%(D' =1:Bvisible*o3>+B#style.visibility<*%(D' =-o6Bdissolve*<3<*D' =%(D' =A@BBBB0B%(D' =1:Bvisible*o3>+B#style.visibility<* %(D' =%(DZ' =A@BBB B0B%(D' =1:Bvisible*o3>+B#style.visibility<*%(D' =-6B-randombar(horizontal)*<3<*+p+0+ 0 ++0+0 +6 0L0 VNP  (  b  03,$D  0  6l>  0,$D  0 yCurso de Literatura,$ b  0Xp,$D  0B  s *D> ,$D  0B  s *D>,$D  0B  s *D>,$D  07  0C`P,$D 0 Poesa: VersificacinF(2GGE$ 2  BJ> ` P,$D 0 ZRima Gy  0$Op ],$D 0 7Consonante Asonante Abrazada Encadenada Gemela Contnua8 28El    HVG)H.Q>  ,$D 0 !=Ocurre cuando todos los versos de una estrofa riman entre s >>G B  s *P@0,$D 0~  6`3Ԕp `{,$D 0 Blancas y finas, y en el manto apenas Visibles, y con aire de azucenas, Las manos  que no rompen mis cadenas. Salvador Daz Mirn 2!GGGG GgG g  g   H  0޽h ?  ̙33p h ___PPT10H +D' = @B Dw' = @BA?%,( < +O%,( < +D' =%(%(D' =%(D3' =4@BB BB%(D' =1:Bvisible*o3>+B#style.visibility<*%(D' =-o6Bdissolve*<3<*D' =%(D' =A@BBBB0B%(D' =1:Bvisible*o3>+B#style.visibility<* %(D' =%(DZ' =A@BBB B0B%(D' =1:Bvisible*o3>+B#style.visibility<*%(D' =-6B-randombar(horizontal)*<3<*+p+0+ 0 ++0+0 +:  0L0 $  ` (  b  03,$D  0  6}  0,$D  0 yCurso de Literatura,$ b  0Xp,$D  0B  s *D> ,$D  0B  s *D>,$D  0B  s *D>,$D  01  08`P,$D 0 Poesa: Versificacin@(2$ k2  B$>  ,$D 0 )Clasificacin de los Versos segn su rima**Z B  @ s *D> @ ,$D 0B  s *D>  ,$D 02  B>,$D 0 hVersos Blancos2  BL> p ,$D 0 hVersos Rimados 2  BО>  ,$D 0 g Versos LibresB @ s *D> @ @ ,$D 0H  0޽h ? ̙33___PPT10~+ ŬD' = @B D=' = @BA?%,( < +O%,( < +Dt' =%(%(D' =%(Dv' =A@BBB B0B@B%(D' =1:Bvisible*o3>+B#style.visibility<* %(D' ,=-6B-randombar(horizontal)*<3<* D' =%(4D' =4@BBBB%(D' =1:Bvisible*o3>+B#style.visibility<* %(D' =%(( Dv' =A@BBB B0B@B%(D' =1:Bvisible*o3>+B#style.visibility<*%(D' ,=-6B-randombar(horizontal)*<3<*D' =%( D' =4@BBBB%(D' =1:Bvisible*o3>+B#style.visibility<*%(D' =%(tDv' =A@BBB B0B@B%(D' =1:Bvisible*o3>+B#style.visibility<*%(D' ,=-6B-randombar(horizontal)*<3<*D' =%(D' =4@BBBB%(D' =1:Bvisible*o3>+B#style.visibility<* %(D' =%(Dv' =A@BBB B0B@B%(D' =1:Bvisible*o3>+B#style.visibility<*%(D' ,=-6B-randombar(horizontal)*<3<*++0+ 0 ++0+0 ++0+0 ++0+0 +/! 0L0   p $(  $Xb $ 03 $ 6h  0 yCurso de Literatura,$ Xb $ 0XpRB $ s *D> RB $ s *D>RB $ s *D> $ 0຦yP Poesa: Versificacin@(2$ 72  $ B<>A  )Clasificacin de los Versos segn su rima**Z 2  $ BPɦ>L 1! ,,$D 0 hVersos RimadosB  $@ s *D> L ,$D 0  $ HxϦGHkH3Ԕ  Y,$D 0 JSe denominan aquellos versos que constan de rima consonante o asonante . KK  H $ 0޽h ? $ ̙33  ___PPT10~ +.D' = @B D' = @BA?%,( < +O%,( < +D' =%(%(D' =%(D' =4@BBBB%(D' =1:Bvisible*o3>+B#style.visibility<* $%(D' =%(Dv' =A@BBB B0B@B%(D' =1:Bvisible*o3>+B#style.visibility<* $%(D' ,=-6B-randombar(horizontal)*<3<* $D' =%(LDZ' =A@BBB B0B%(D' =1:Bvisible*o3>+B#style.visibility<* $%(D' =-6B-randombar(horizontal)*<3<* $+p+0+ $0 ++0+ $0 + 0L0      (   Xb   03   6  0 yCurso de Literatura,$ Xb   0XpRB   s *D> RB   s *D>RB   s *D>   0`P Poesa: VersificacinF(2GGE$ 92   B`>q   )Clasificacin de los Versos segn su rima **GZ B  @ s *D> aa ,$D 0<   HGHB3Ԕ q ,,$D 0 f(o Versos Sueltos) Se denominan aquellos versos que carecen de rima. Se representan con el smbolo: ngGGTGgG   2   B>9  ,$D 0 jVersos BlancosEH   0޽h ?  ̙33  ___PPT10~ +ED' = @B D' = @BA?%,( < +O%,( < +D' =%(%(D' =%(D' =4@BBBB%(D' =1:Bvisible*o3>+B#style.visibility<* %(D' =%(Dv' =A@BBB B0B@B%(D' =1:Bvisible*o3>+B#style.visibility<* %(D' ,=-6B-randombar(horizontal)*<3<* D' =%(LDZ' =A@BBB B0B%(D' =1:Bvisible*o3>+B#style.visibility<* %(D' =-6B-randombar(horizontal)*<3<* +p+0+ 0 ++0+ 0 +" 0L0    ,4 (  ,b , 03,$D  0 , 6   0,$D  0 yCurso de Literatura,$ b , 0Xp,$D  0B , s *D> ,$D  0B , s *D>,$D  0B , s *D>,$D  01 , 0`P,$D 0 Poesa: Versificacin@(2$ k2  , B>Pw p ,$D 0 )Clasificacin de los Versos segn su rima**Z  2  , B<%>  ,$D 0 g Versos LibresB  ,@ s *D>p gg ,$D 0  , H*GHE3Ԕ  w`,$D 0 @ Se denominan aquellos versos que carecen de mtrica y de rima. <A?t H , 0޽h ? , ̙33  ___PPT10~ +5GD' = @B D' = @BA?%,( < +O%,( < +D' =%(%(D' =%(D' =4@BBBB%(D' =1:Bvisible*o3>+B#style.visibility<* ,%(D' =%(Dv' =A@BBB B0B@B%(D' =1:Bvisible*o3>+B#style.visibility<* ,%(D' ,=-6B-randombar(horizontal)*<3<* ,D' =%(LDZ' =A@BBB B0B%(D' =1:Bvisible*o3>+B#style.visibility<* ,%(D' =-6B-randombar(horizontal)*<3<* ,+p+0+ ,0 ++0+ ,0 +d$ 0L0 @ 8  < (  <b < 03,$D  0 < 6K  0,$D  0 yCurso de Literatura,$ b < 0Xp,$D  0B < s *D> ,$D  0B < s *D>,$D  0B < s *D>,$D  01 < 00Q`P,$D 0 Poesa: Versificacin@(2$ A2  < BU>"!B ,$D 0 #Otros elementos de la versificacin$$6  B  <@ s *D> 1 ,$D 0B  < s *D> Q  ,$D 02  < Bx>  ,$D 0 XPausas2 < BP_> Q ,$D 0 aEncabalgamientoH < 0޽h ? ̙33___PPT10+RwD ' = @B D ' = @BA?%,( < +O%,( < +D ' =%(%(D' =%(Dv' =A@BBB B0B@B%(D' =1:Bvisible*o3>+B#style.visibility<* <%(D' ,=-6B-randombar(horizontal)*<3<* <D' =%(D' =4@BBBB%(D' =1:Bvisible*o3>+B#style.visibility<* <%(D' =%(Dv' =A@BBB B0B@B%(D' =1:Bvisible*o3>+B#style.visibility<* <%(D' ,=-6B-randombar(horizontal)*<3<* <D' =%(D' =4@BBBB%(D' =1:Bvisible*o3>+B#style.visibility<* <%(D' =%( Dv' =A@BBB B0B@B%(D' =1:Bvisible*o3>+B#style.visibility<*<%(D' ,=-6B-randombar(horizontal)*<3<*<++0+ <0 ++0+ <0 ++0+<0 +# 0L0   4 (  4b 4 03,$D  0 4 6o  0,$D  0 yCurso de Literatura,$ b 4 0Xp,$D  0B 4 s *D> ,$D  0B 4 s *D>,$D  0B 4 s *D>,$D  01 4 0xw`P,$D 0 Poesa: Versificacin@(2$ B2  4 BW>mR m,$D 0 $Otros elementos de la versificacin%%6  2  4 B >  ,$D 0 XPausasB  4@ s *D>m22 ,$D 0y 4 60>M R ,$D 0 9Breve interrupcin que ocurre en el verso o la estrofa.(:9Z B 4@ s *D> 22M ,$D 0B 4 N-KX3ԔK ,$D  0 Cesura Versal Estrfica6 H 4 0޽h ? ̙33___PPT10+D3' = @B D' = @BA?%,( < +O%,( < +D%' =%(%(D' =%(D' =4@BBBB%(D' =1:Bvisible*o3>+B#style.visibility<* 4%(D' =%(Dv' =A@BBB B0B@B%(D' =1:Bvisible*o3>+B#style.visibility<* 4%(D' ,=-6B-randombar(horizontal)*<3<* 4D' =%( D' =4@BBBB%(D' =1:Bvisible*o3>+B#style.visibility<*4%(D' =%(DZ' =A@BBB B0B%(D' =1:Bvisible*o3>+B#style.visibility<*4%(D' =-6B-randombar(horizontal)*<3<*4DU' =%(D' =A@BBBB0B%(D' =1:Bvisible*o3>+B#style.visibility<*4%(D' =+4 8?\CB#ppt_xBCB#ppt_xB*Y3>B ppt_x<*4D#' =+4 8?nCB!#ppt_y-#ppt_h/2BCB#ppt_yB*Y3>B ppt_y<*4D' =+4 8?\CB#ppt_wBCB#ppt_wB*Y3>B ppt_w<*4D' =+4 8?RCBBCB#ppt_hB*Y3>B ppt_h<*4++0+ 40 ++0+40 ++0+40 +% 0L0 %  D (  Db D 03,$D  0 D 6  0,$D  0 yCurso de Literatura,$ b D 0Xp,$D  0B D s *D> ,$D  0B D s *D>,$D  0B D s *D>,$D  01 D 0<`P,$D 0 Poesa: Versificacin@(2$ B2  D B(> ,$D 0 $Otros elementos de la versificacin%%6  2  D B>  ,$D 0 XPausasB  D@ s *D>dd ,$D 0B  D@ s *D> dd ,$D 02 D B>  ,$D 0 XCesura D H`¨G6Hk3Ԕ  ,D ,$D  0 !QPausa que divide al verso en dos partes. A veces usa un guin para representarla.RR H D 0޽h ?D ̙33___PPT10+|,D' Ϩ= @B D' = @BA?%,( < +O%,( < +D ' =%(%(D' =%(D' =4@BBBB%(D' =1:Bvisible*o3>+B#style.visibility<* D%(D' =%(Dv' =A@BBB B0B@B%(D' =1:Bvisible*o3>+B#style.visibility<* D%(D' ,=-6B-randombar(horizontal)*<3<* DD' =%( Dv' =A@BBB B0B@B%(D' =1:Bvisible*o3>+B#style.visibility<*D%(D' ,=-6B-randombar(horizontal)*<3<*DD' =%(LD' =4@BBBB%(D' =1:Bvisible*o3>+B#style.visibility<* D%(D' =%(@D' =A@BBBB0B%(D' =1:Bvisible*o3>+B#style.visibility<*D%(D' =+4 8?RCBBCB#ppt_wB*Y3>B ppt_w<*DD' =+4 8?RCBBCB#ppt_hB*Y3>B ppt_h<*D++0+ D0 ++0+D0 ++0+D0 +?* 0L0   lZ (  lb l 03,$D  0 l 6Lר  0,$D  0 yCurso de Literatura,$ b l 0Xp,$D  0B l s *D> ,$D  0B l s *D>,$D  0B l s *D>,$D  01 l 0ި`P,$D 0 Poesa: Versificacin@(2$ B2  l B>1 ,$D 0 $Otros elementos de la versificacin%%6  2  l B,>v  V ,$D 0 XPausasB  l@ s *D>v ,$D 0B  l@ s *D>V  ,$D 02  l B> ! ,$D 0 XVersal l HXGH}3Ԕ !  ,$D  0 4Pausa que se produce siempre al final de cada verso.>5H  H l 0޽h ?l ̙33___PPT10+y 9D' = @B D' = @BA?%,( < +O%,( < +D ' =%(%(D' =%(D' =4@BBBB%(D' =1:Bvisible*o3>+B#style.visibility<* l%(D' =%(Dv' =A@BBB B0B@B%(D' =1:Bvisible*o3>+B#style.visibility<* l%(D' ,=-6B-randombar(horizontal)*<3<* lD' =%( Dv' =A@BBB B0B@B%(D' =1:Bvisible*o3>+B#style.visibility<* l%(D' ,=-6B-randombar(horizontal)*<3<* lD' =%(LD' =4@BBBB%(D' =1:Bvisible*o3>+B#style.visibility<* l%(D' =%(@D' =A@BBBB0B%(D' =1:Bvisible*o3>+B#style.visibility<*l%(D' =+4 8?RCBBCB#ppt_wB*Y3>B ppt_w<*lD' =+4 8?RCBBCB#ppt_hB*Y3>B ppt_h<*l++0+ l0 ++0+ l0 ++0+l0 +V+ 0L0   tq (  tb t 03,$D  0 t 6  0,$D  0 yCurso de Literatura,$ b t 0Xp,$D  0B t s *D> ,$D  0B t s *D>,$D  0B t s *D>,$D  01 t 00`P,$D 0 Poesa: Versificacin@(2$ B2  t B > ,$D 0 $Otros elementos de la versificacin%%6  2  t B'> \L ,$D 0 XPausasB  t@ s *D> ,$D 0B  t@ s *D>  ,$D 02  t B+> | ,$D 0 [ Estrfica    t H0G\H=s3Ԕ p| , ,$D  0 6Pausa que se produce siempre al final de cada estrofa.>7Z  H t 0޽h ?t ̙33___PPT10+y 9D' == @B D' = @BA?%,( < +O%,( < +D ' =%(%(D' =%(D' =4@BBBB%(D' =1:Bvisible*o3>+B#style.visibility<* t%(D' =%(Dv' =A@BBB B0B@B%(D' =1:Bvisible*o3>+B#style.visibility<* t%(D' ,=-6B-randombar(horizontal)*<3<* tD' =%( Dv' =A@BBB B0B@B%(D' =1:Bvisible*o3>+B#style.visibility<* t%(D' ,=-6B-randombar(horizontal)*<3<* tD' =%(LD' =4@BBBB%(D' =1:Bvisible*o3>+B#style.visibility<* t%(D' =%(@D' =A@BBBB0B%(D' =1:Bvisible*o3>+B#style.visibility<*t%(D' =+4 8?RCBBCB#ppt_wB*Y3>B ppt_w<*tD' =+4 8?RCBBCB#ppt_hB*Y3>B ppt_h<*t++0+ t0 ++0+ t0 ++0+t0 +) 0L0 F > d (  db d 03,$D  0 d 6   0,$D  0 yCurso de Literatura,$ b d 0Xp,$D  0B d s *D> ,$D  0B d s *D>,$D  0B d s *D>,$D  01 d 0`P,$D 0 Poesa: Versificacin@(2$ B  d@ s *D>6 ,$D 0B  d@ s *D> f ,$D 0 d N-K3ԔgV,$D  0 hSuave AbruptoB2  d B>g ,$D 0 $Otros elementos de la versificacin%%6  2  d B>J  * ,$D 0 aEncabalgamiento  d 6x$> 7 ,$D 0 GYOcurre cuando una frase no termina en un verso, si no que contina en el siguiente verso.(ZY H d 0޽h ? ̙33___PPT10+-uD3' = @B D' = @BA?%,( < +O%,( < +D%' =%(%(D' =%(D' =4@BBBB%(D' =1:Bvisible*o3>+B#style.visibility<* d%(D' =%(Dv' =A@BBB B0B@B%(D' =1:Bvisible*o3>+B#style.visibility<* d%(D' ,=-6B-randombar(horizontal)*<3<* dD' =%( D' =4@BBBB%(D' =1:Bvisible*o3>+B#style.visibility<* d%(D' =%(DZ' =A@BBB B0B%(D' =1:Bvisible*o3>+B#style.visibility<* d%(D' =-6B-randombar(horizontal)*<3<* dDU' =%(D' =A@BBBB0B%(D' =1:Bvisible*o3>+B#style.visibility<*d%(D' =+4 8?\CB#ppt_xBCB#ppt_xB*Y3>B ppt_x<*dD#' =+4 8?nCB!#ppt_y-#ppt_h/2BCB#ppt_yB*Y3>B ppt_y<*dD' =+4 8?\CB#ppt_wBCB#ppt_wB*Y3>B ppt_w<*dD' =+4 8?RCBBCB#ppt_hB*Y3>B ppt_h<*d++0+d0 ++0+ d0 ++0+ d0 +w, 0L0   | (  |b | 03,$D  0 | 6tE  0,$D  0 yCurso de Literatura,$ b | 0Xp,$D  0B | s *D> ,$D  0B | s *D>,$D  0B | s *D>,$D  01 | 0Mt,$D 0 Poesa: Versificacin@(2$ B2  | BS>t ,$D 0 $Otros elementos de la versificacin%%6  2  | BZ> 4 ,$D 0 aEncabalgamientoB  |@ s *D> ,$D 0B  |@ s *D>  ,$D 02  | Bx_> d4,$D 0 =Suave | HcG#Hd3Ԕ D F ,$D  0 ( El verso anterior termina despus de la mitad del verso siguiente: Nunca persegu la gloria ni dejar en la memoria& (Antonio Machado)<C2 H | 0޽h ?| ̙33___PPT10+y 9D' t= @B D' = @BA?%,( < +O%,( < +D ' =%(%(D' =%(D' =4@BBBB%(D' =1:Bvisible*o3>+B#style.visibility<* |%(D' =%(Dv' =A@BBB B0B@B%(D' =1:Bvisible*o3>+B#style.visibility<* |%(D' ,=-6B-randombar(horizontal)*<3<* |D' =%( Dv' =A@BBB B0B@B%(D' =1:Bvisible*o3>+B#style.visibility<* |%(D' ,=-6B-randombar(horizontal)*<3<* |D' =%(LD' =4@BBBB%(D' =1:Bvisible*o3>+B#style.visibility<* |%(D' =%(@D' =A@BBBB0B%(D' =1:Bvisible*o3>+B#style.visibility<*|%(D' =+4 8?RCBBCB#ppt_wB*Y3>B ppt_w<*|D' =+4 8?RCBBCB#ppt_hB*Y3>B ppt_h<*|++0+ |0 ++0+ |0 ++0+|0 +- 0L0   0 (  Xb  03  6}  0 yCurso de Literatura,$ Xb  0XpRB  s *D> RB  s *D>RB  s *D>  0ԃ`P Poesa: Versificacin@(2$ 2   B>7  $Otros elementos de la versificacin%%6  2   B>  ,$D 0 aEncabalgamientoB  @ s *D> ,$D 0B  @ s *D>  ,$D 02   B> ',$D 0 YAbrupto  HGH`Q3Ԕ  ',$D  0 J El verso anterior termina antes de la mitad del verso siguiente: Anoche so que vea a Dios y que a Dios hablaba& (Antonio Machado)NB H  0޽h ? ̙33___PPT10+{CD' = @B D' = @BA?%,( < +O%,( < +D ' =%(%(D' =%(D' =4@BBBB%(D' =1:Bvisible*o3>+B#style.visibility<* %(D' =%(Dv' =A@BBB B0B@B%(D' =1:Bvisible*o3>+B#style.visibility<* %(D' ,=-6B-randombar(horizontal)*<3<* D' =%( Dv' =A@BBB B0B@B%(D' =1:Bvisible*o3>+B#style.visibility<* %(D' ,=-6B-randombar(horizontal)*<3<* D' =%(LD' =4@BBBB%(D' =1:Bvisible*o3>+B#style.visibility<* %(D' =%(@D' =A@BBBB0B%(D' =1:Bvisible*o3>+B#style.visibility<*%(D' =+4 8?RCBBCB#ppt_wB*Y3>B ppt_w<*D' =+4 8?RCBBCB#ppt_hB*Y3>B ppt_h<*++0+ 0 ++0+ 0 ++0+0 +>0 0L0     (  b  03,$D  0  6  0,$D  0 yCurso de Literatura,$ b  0Xp,$D  0B  s *D> ,$D  0B  s *D>,$D  0B  s *D>,$D  0,  0<`P,$D 0 Poesa: El Poema@(2 $ 2   Blī>@P P,$D 0 f La Estrofa     Nxʫ3> ,$D  0 !OPareados Tercetos Cuartetos Redondillas Serventecios Cuartetas Lira Octava Real0P8U2O~    E  6ӫ> P ,$D 0 Unidad estructural del poema, que est compuesta por versos. La estrofa se clasifica segn el nmero de versos que la componen.(2     B  s *D>P ,$D 0H  0޽h ? ̙33;3___PPT10+yvDO' = @B D ' = @BA?%,( < +O%,( < +DA' =%(%(D' =%(Dv' =A@BBB B0B@B%(D' =1:Bvisible*o3>+B#style.visibility<* %(D' ,=-6B-randombar(horizontal)*<3<* D' =%(XD' =4@BBBB%(D' =1:Bvisible*o3>+B#style.visibility<*%(D' =%(LDZ' =A@BBB B0B%(D' =1:Bvisible*o3>+B#style.visibility<*%(D' =-6B-randombar(horizontal)*<3<*DU' =%(@D' =A@BBBB0B%(D' =1:Bvisible*o3>+B#style.visibility<* %(D' =+4 8?\CB#ppt_xBCB#ppt_xB*Y3>B ppt_x<* D#' =+4 8?nCB!#ppt_y-#ppt_h/2BCB#ppt_yB*Y3>B ppt_y<* D' =+4 8?\CB#ppt_wBCB#ppt_wB*Y3>B ppt_w<* D' =+4 8?RCBBCB#ppt_hB*Y3>B ppt_h<* ++0+ 0 ++0+ 0 ++0+0 +P. 0L0   0  (  b  03,$D  0  6  0,$D  0 yCurso de Literatura,$ b  0Xp,$D  0B  s *D> ,$D  0B  s *D>,$D  0B  s *D>,$D  0,  0d`P,$D 0 Poesa: El Poema@(2 $ 2   B>P ,$ 0 f La Estrofa     0 rp,$D 0 OPareados Tercetos Cuartetos Redondillas Serventecios Cuartetas Lira Octava Real P0P2P~    B  s *2 ,$D 0i  HPGH 3Ԕ r` @ ,$D 0 ! Estrofa compuesta de dos versos.L" , H  0޽h ? ̙33G?___PPT10+D' = @B D' = @BA?%,( < +O%,( < +D' =%(%(D' =%(D3' =4@BB BB%(D' =1:Bvisible*o3>+B#style.visibility<*%(D' =-o6Bdissolve*<3<*D' =%(DZ' =A@BBB B0B%(D' =1:Bvisible*o3>+B#style.visibility<*%(D' =-6B-randombar(horizontal)*<3<*+8+0+0 +a1 0L0   @ " (  b  03,$D  0  6\  0,$D  0 yCurso de Literatura,$ b  0Xp,$D  0B  s *D> ,$D  0B  s *D>,$D  0B  s *D>,$D  0,  0`P,$D 0 Poesa: El Poema@(2 $ 2   B(&>P ,$ 0 f La Estrofa     0@+p,$D 0 OPareados Tercetos Cuartetos Redondillas Serventecios Cuartetas Lira Octava RealP 2P~    B   s *%  ,$D 0|   H2GH3Ԕ  % ,$D 0 " Estrofa compuesta de tres versos.L# >  H  0޽h ?  ̙33G?___PPT10+udZD' = @B D' = @BA?%,( < +O%,( < +D' =%(%(D' =%(D3' =4@BB BB%(D' =1:Bvisible*o3>+B#style.visibility<* %(D' =-o6Bdissolve*<3<* D' =%(DZ' =A@BBB B0B%(D' =1:Bvisible*o3>+B#style.visibility<* %(D' =-6B-randombar(horizontal)*<3<* +8+0+ 0 +2 0L0 1 ) P  (  b  03,$D  0  6A  0,$D  0 yCurso de Literatura,$ b  0Xp,$D  0B  s *D> ,$D  0B  s *D>,$D  0B  s *D>,$D  0,  0xI`P,$D 0 Poesa: El Poema@(2 $ 2   BP>P ,$ 0 f La Estrofa     0Up,$D 0 OPareados Tercetos Cuartetos Redondillas Serventecios Cuartetas Lira Octava RealP 2P~    B   s *X  ,$D 0   H^GJHT*3Ԕ  ?,$D 0 WUEstrofa compuesta de cuatro versos en Arte Mayor. La representacion genrica es: ABBArV  !l H  0޽h ?  ̙33G?___PPT10+udZD' = @B D' = @BA?%,( < +O%,( < +D' =%(%(D' =%(D3' =4@BB BB%(D' =1:Bvisible*o3>+B#style.visibility<* %(D' =-o6Bdissolve*<3<* D' =%(DZ' =A@BBB B0B%(D' =1:Bvisible*o3>+B#style.visibility<* %(D' =-6B-randombar(horizontal)*<3<* +8+0+ 0 +,3 0L0 u m `  (  b  03,$D  0  6 p  0,$D  0 yCurso de Literatura,$ b  0Xp,$D  0B  s *D> ,$D  0B  s *D>,$D  0B  s *D>,$D  0,  0w`P,$D 0 Poesa: El Poema@(2 $ 2   B~>P ,$ 0 f La Estrofa     0@pY,$D 0 OPareados Tercetos Cuartetos Redondillas Serventecios Cuartetas Lira Octava Real P0Z2P~    B   s *]  ,$D 0E   H,GH53Ԕ P @,$D 0 aEstrofa compuesta de cuatro versos compuestos en Arte Menor. Su representacin genrica es: abbarb    H  0޽h ?  ̙33G?___PPT10+udZD' = @B D' = @BA?%,( < +O%,( < +D' =%(%(D' =%(D3' =4@BB BB%(D' =1:Bvisible*o3>+B#style.visibility<* %(D' =-o6Bdissolve*<3<* D' =%(DZ' =A@BBB B0B%(D' =1:Bvisible*o3>+B#style.visibility<* %(D' =-6B-randombar(horizontal)*<3<* +8+0+ 0 +`4 0L0   p ! (  b  03,$D  0  6  0,$D  0 yCurso de Literatura,$ b  0Xp,$D  0B  s *D> ,$D  0B  s *D>,$D  0B  s *D>,$D  0,  0`P,$D 0 Poesa: El Poema@(2 $ 2   BL>P ,$ 0 f La Estrofa     0dp,$D 0 OPareados Tercetos Cuartetos Redondillas Serventecios Cuartetas Lira Octava RealP 2P~    B   s * * ,$D 0{   H0G HA3Ԕ : z,$D 0 uEstrofa compuesta de cuatro versos Endecaslabos o Alejandrinos, de rima encadenada (o cruzada). Se representan: ABABv  2     H  0޽h ?  ̙33G?___PPT10+udZD' = @B D' = @BA?%,( < +O%,( < +D' =%(%(D' =%(D3' =4@BB BB%(D' =1:Bvisible*o3>+B#style.visibility<* %(D' =-o6Bdissolve*<3<* D' =%(DZ' =A@BBB B0B%(D' =1:Bvisible*o3>+B#style.visibility<* %(D' =-6B-randombar(horizontal)*<3<* +8+0+ 0 +.5 0L0 w o   (  b  03,$D  0  6ҭ  0,$D  0 yCurso de Literatura,$ b  0Xp,$D  0B  s *D> ,$D  0B  s *D>,$D  0B  s *D>,$D  0,  0ڭwP,$D 0 Poesa: El Poema@(2 $ 2   B>P ,$ 0 f La Estrofa     0pg,$D 0 OPareados Tercetos Cuartetos Redondillas Serventecios Cuartetas Lira Octava RealP 2P~    B   s *] p ,$D 0I   HGHI3Ԕ  ,$D 0 eEstrofa compuesta de cuatro versos en Arte Menor de rima encadenada (o cruzada). Se representan: ababrf  1   H  0޽h ?  ̙33G?___PPT10+udZD' = @B D' = @BA?%,( < +O%,( < +D' =%(%(D' =%(D3' =4@BB BB%(D' =1:Bvisible*o3>+B#style.visibility<* %(D' =-o6Bdissolve*<3<* D' =%(DZ' =A@BBB B0B%(D' =1:Bvisible*o3>+B#style.visibility<* %(D' =-6B-randombar(horizontal)*<3<* +8+0+ 0 +6 0L0 e ]   (  b  03,$D  0  6l  0,$D  0 yCurso de Literatura,$ b  0Xp,$D  0B  s *D> ,$D  0B  s *D>,$D  0B  s *D>,$D  0,  0 `P,$D 0 Poesa: El Poema@(2 $ 2   B8>P ,$ 0 f La Estrofa     0Pp,$D 0 OPareados Tercetos Cuartetos Redondillas Serventecios Cuartetas Lira Octava RealP 2P~    B   s *pa,$D 07   HGHUX3Ԕ " ,$D 0 UEstrofa compuesta de cinco versos Endecaslabos y Heptaslabos. Se representan: aBabBV~    H  0޽h ?  ̙33G?___PPT10+udZD' = @B D' = @BA?%,( < +O%,( < +D' =%(%(D' =%(D3' =4@BB BB%(D' =1:Bvisible*o3>+B#style.visibility<* %(D' =-o6Bdissolve*<3<* D' =%(DZ' =A@BBB B0B%(D' =1:Bvisible*o3>+B#style.visibility<* %(D' =-6B-randombar(horizontal)*<3<* +8+0+ 0 +7 0L0    M (  b  03,$D  0  64  0,$D  0 yCurso de Literatura,$ b  0Xp,$D  0B  s *D> ,$D  0B  s *D>,$D  0B  s *D>,$D  0,  0;`P,$D 0 Poesa: El Poema@(2 $ 2   BB>P ,$ 0 f La Estrofa     0Gp,$D 0 OPareados Tercetos Cuartetos Redondillas Serventecios Cuartetas Lira Octava RealP 2P~    B   s *],$D 0   HtPG]H\3Ԕ =,$D 0 Estrofa compuesta de ocho versos en Arte Mayor. Seis versos de rima encadenada (o cruzada) y dos versos de rima gemela Se representan: ABABABCC  -      H  0޽h ?  ̙33G?___PPT10+udZD' = @B D' = @BA?%,( < +O%,( < +D' =%(%(D' =%(D3' =4@BB BB%(D' =1:Bvisible*o3>+B#style.visibility<* %(D' =-o6Bdissolve*<3<* D' =%(DZ' =A@BBB B0B%(D' =1:Bvisible*o3>+B#style.visibility<* %(D' =-6B-randombar(horizontal)*<3<* +8+0+ 0 +8 0L0 R J   (  b  03,$D  0  6 f  0,$D  0 yCurso de Literatura,$ b  0Xp,$D  0B  s *D> ,$D  0B  s *D>,$D  0B  s *D>,$D  0,  0m`P,$D 0 Poesa: El Poema@(2 $ 2   Bt>P $,$D 0 dEl Poema     Nx ,$D  0 oPoemas Estrficos; El Soneto La Letrilla Poemas no estrficos: Romance Silva Madrigal Poema de Versos Libresp(2  /   <   6> P ,$D 0 xObra literaria compuesta en versos agrupados en estrofas. Los poemas pueden ser de dos tipos: estrficos o no estrficosRy(2^       B   s *D>$ ,$D 0H  0޽h ? ̙33;3___PPT10+{DO' = @B D ' = @BA?%,( < +O%,( < +DA' =%(%(D' =%(Dv' =A@BBB B0B@B%(D' =1:Bvisible*o3>+B#style.visibility<* %(D' ,=-6B-randombar(horizontal)*<3<* D' =%(XD' =4@BBBB%(D' =1:Bvisible*o3>+B#style.visibility<* %(D' =%(LDZ' =A@BBB B0B%(D' =1:Bvisible*o3>+B#style.visibility<* %(D' =-6B-randombar(horizontal)*<3<* DU' =%(@D' =A@BBBB0B%(D' =1:Bvisible*o3>+B#style.visibility<* %(D' =+4 8?\CB#ppt_xBCB#ppt_xB*Y3>B ppt_x<* D#' =+4 8?nCB!#ppt_y-#ppt_h/2BCB#ppt_yB*Y3>B ppt_y<* D' =+4 8?\CB#ppt_wBCB#ppt_wB*Y3>B ppt_w<* D' =+4 8?RCBBCB#ppt_hB*Y3>B ppt_h<* ++0+ 0 ++0+ 0 ++0+ 0 +: 0L0 ^ V   (  b  03,$D  0  6ȥ  0,$D  0 yCurso de Literatura,$ b  0Xp,$D  0B  s *D> ,$D  0B  s *D>,$D  0B  s *D>,$D  0,  0d`P,$D 0 Poesa: El Poema@(2 $ 2   Bij>P ,$ 0 dEl Poema     0 ,$D 0 oPoemas Estrficos; El Soneto La Letrilla Poemas no estrficos: Romance Silva Madrigal Poema de Versos Libresp(2  /   B   s * ,$D 0N   HήGH3Ԕ ] ,$D 0 Composicin potica de catorce versos en Arte Mayor, de rima consonante y distribuidos en dos cuartetos y dos tercetos. El esquema general del soneto es: ABBA ABBA CDC DCD          H  0޽h ?  ̙33G?___PPT10+udZD' = @B D' = @BA?%,( < +O%,( < +D' =%(%(D' =%(D3' =4@BB BB%(D' =1:Bvisible*o3>+B#style.visibility<* %(D' =-o6Bdissolve*<3<* D' =%(DZ' =A@BBB B0B%(D' =1:Bvisible*o3>+B#style.visibility<* %(D' =-6B-randombar(horizontal)*<3<* +8+0+ 0 +A 0L0    $ (  $b $ 03,$D  0 $ 6  0,$D  0 yCurso de Literatura,$ b $ 0Xp,$D  0B $ s *D> ,$D  0B $ s *D>,$D  0B $ s *D>,$D  0, $ 0`P,$D 0 Poesa: El Poema@(2 $ 2  $ B>qP ,$ 0 dEl Poema    $ 0 ,$D 0 oPoemas Estrficos; El Soneto La Letrilla Poemas no estrficos: Romance Silva Madrigal Poema de Versos Libresp(2  /   B  $ s *!  ,$D 0  $ H GwHm&3Ԕ  ,$D 0 KQ Composicin potica en Arte Menor, con un estribillo que se repite a intervalos.PR /    H $ 0޽h ? $ ̙33G?___PPT10+udZD' = @B D' = @BA?%,( < +O%,( < +D' =%(%(D' =%(D3' =4@BB BB%(D' =1:Bvisible*o3>+B#style.visibility<* $%(D' =-o6Bdissolve*<3<* $D' =%(DZ' =A@BBB B0B%(D' =1:Bvisible*o3>+B#style.visibility<* $%(D' =-6B-randombar(horizontal)*<3<* $+8+0+ $0 +q; 0L0    2 (  b  03,$D  0  6<  0,$D  0 yCurso de Literatura,$ b  0Xp,$D  0B  s *D> ,$D  0B  s *D>,$D  0B  s *D>,$D  0,  0h$`P,$D 0 Poesa: El Poema@(2 $ 2   B+>P ,$ 0 dEl Poema     00 ,$D 0 oPoemas Estrficos; El Soneto La Letrilla Poemas no estrficos: Romance Silva Madrigal Poema de Versos Libresp(2  /   B   s *d 0  ,$D 0   H@GLH83Ԕ d ,$D 0 JPoema de un nmero indeterminado de versos octoslabos de rima asonante en los versos pares y de rima libre en los versos impares. (Ver:  El Enamorado y la Muerte )+  =   H  0޽h ?  ̙33G?___PPT10+udZD' = @B D' = @BA?%,( < +O%,( < +D' =%(%(D' =%(D3' =4@BB BB%(D' =1:Bvisible*o3>+B#style.visibility<* %(D' =-o6Bdissolve*<3<* D' =%(DZ' =A@BBB B0B%(D' =1:Bvisible*o3>+B#style.visibility<* %(D' =-6B-randombar(horizontal)*<3<* +8+0+ 0 +;< 0L0  |   (  b  03,$D  0  6Z  0,$D  0 yCurso de Literatura,$ b  0Xp,$D  0B  s *D> ,$D  0B  s *D>,$D  0B  s *D>,$D  0,  04b`P,$D 0 Poesa: El Poema@(2 $ 2   Bdi>qP ,$ 0 dEl Poema     0n ,$D 0 oPoemas Estrficos; El Soneto La Letrilla Poemas no estrficos: Romance Silva Madrigal Poema de Versos Libresp(2  /   B   s * A,$D 0t   HGHG3Ԕ !` p1,$D 0 Poema compuesto por versos endecaslabos y heptaslabos. Ver:  Egloga I de Garcilaso de la VegaPc(     H  0޽h ?  ̙33G?___PPT10+udZD' = @B D' = @BA?%,( < +O%,( < +D' =%(%(D' =%(D3' =4@BB BB%(D' =1:Bvisible*o3>+B#style.visibility<* %(D' =-o6Bdissolve*<3<* D' =%(DZ' =A@BBB B0B%(D' =1:Bvisible*o3>+B#style.visibility<* %(D' =-6B-randombar(horizontal)*<3<* +8+0+ 0 +g= 0L0    ( (  b  03,$D  0  6  0,$D  0 yCurso de Literatura,$ b  0Xp,$D  0B  s *D> ,$D  0B  s *D>,$D  0B  s *D>,$D  0,  0`P,$D 0 Poesa: El Poema@(2 $ 2   B>qP ,$ 0 dEl Poema     0 ,$D 0 oPoemas Estrficos; El Soneto La Letrilla Poemas no estrficos: Romance Silva Madrigal Poema de Versos Libresp(2  /   B   s *`Pa,$D 0   HhG^HhN3Ԕ ` `,$D 0 Poema compuesto por una estrofa de versos endecaslabos y heptaslabos en rima consonante (o perfecta). Ver:  Madrigal de Gutirrez de Cetina         H  0޽h ?  ̙33G?___PPT10+udZD' = @B D' = @BA?%,( < +O%,( < +D' =%(%(D' =%(D3' =4@BB BB%(D' =1:Bvisible*o3>+B#style.visibility<* %(D' =-o6Bdissolve*<3<* D' =%(DZ' =A@BBB B0B%(D' =1:Bvisible*o3>+B#style.visibility<* %(D' =-6B-randombar(horizontal)*<3<* +8+0+ 0 +> 0L0    j (   b   03,$D  0   6Ұ  0,$D  0 yCurso de Literatura,$ b   0Xp,$D  0B   s *D> ,$D  0B   s *D>,$D  0B   s *D>,$D  0,   0ڰ`P,$D 0 Poesa: El Poema@(2 $ 2   BL>'P 7,$ 0 dEl Poema     0g z,$D 0 oPoemas Estrficos; El Soneto La Letrilla Poemas no estrficos: Romance Silva Madrigal Poema de Versos Libresp(2  /   B   s *7,$D 0   HG HK3Ԕ G` `,$D 0 6jPoema que no observa las reglas tradicionales de la rima o la mtrica, mas obtiene la cadencia a travs del ritmo interno de los versos. Ver:  Los Heraldos Negros de Csar VallejoRV   H   0޽h ?  ̙33G?___PPT10+udZD' = @B D' = @BA?%,( < +O%,( < +D' =%(%(D' =%(D3' =4@BB BB%(D' =1:Bvisible*o3>+B#style.visibility<* %(D' =-o6Bdissolve*<3<* D' =%(DZ' =A@BBB B0B%(D' =1:Bvisible*o3>+B#style.visibility<* %(D' =-6B-randombar(horizontal)*<3<* +8+0+ 0 +/@ 0L0  (  b  03,$D  0  6  0,$D  0 yCurso de Literatura,$ b  0Xp,$D  0B  s *D> ,$D  0B  s *D>,$D  0B  s *D>,$D  0,  0`P,$D 0 Poesa: El Poema@(2 $ 2   B>P ,$D 0 dEl Poema  W   6"> P0 F ,$D 0 Otras formas poticas modernas:2 (2H  0)| P @v ,$D 0 ] Ideograma 2  b  0d.0 ,$D 0 4Representacin ideas por medio de imgenes grficas.5 25Z  05,P p&,$D  0 \Topoemas 2   0h9 0`M,$D  0 @Representacin de ideas por medio dibujos formados por palabras.A 2A~ B  0D>l P ,$D 0B  0D> P ,,$D 0r  6Ԕ, 0 ,$D  0r  6Ԕ `<,$D   0B  0D>\ ,$D  0H  0޽h ? ̙33x___PPT10X+};D$' M= @B D' = @BA?%,( < +O%,( < +D' =%(%(D' =%(D' =4@BBBB%( D' =1:Bvisible*o3>+B#style.visibility<*%(D' =%( Dv' =A@BBB B0B@B%(D' =1:Bvisible*o3>+B#style.visibility<* %(D' ,=-6B-randombar(horizontal)*<3<* D' =%(D' =4@BBBB%(D' =1:Bvisible*o3>+B#style.visibility<*%(D' =%(|Dv' =A@BBB B0B@B%(D' =1:Bvisible*o3>+B#style.visibility<*%(D' K=-6B-randombar(horizontal)*<3<*D' =%(D' =4@BBBB%(D' =1:Bvisible*o3>+B#style.visibility<*%(D' =+4 8?RCBBCB#ppt_wB*Y3>B ppt_w<*D' =+4 8?RCBBCB#ppt_hB*Y3>B ppt_h<*D' =%(DZ' =A@BBB B0B%(D' =1:Bvisible*o3>+B#style.visibility<*%(D' =-6B-randombar(horizontal)*<3<*D' =%(D' =4@BBBB%(D' =1:Bvisible*o3>+B#style.visibility<*%(D' =%(Dv' =A@BBB B0B@B%(D' =1:Bvisible*o3>+B#style.visibility<*%(D' K=-6B-randombar(horizontal)*<3<*D' =%(S D' =4@BBBB%(D' =1:Bvisible*o3>+B#style.visibility<*%(D' =+4 8?RCBBCB#ppt_wB*Y3>B ppt_w<*D' =+4 8?RCBBCB#ppt_hB*Y3>B ppt_h<*D' =%(G"DZ' =A@BBB B0B%(D' =1:Bvisible*o3>+B#style.visibility<*%(D' =-6B-randombar(horizontal)*<3<*++0+ 0 ++0+0 ++0+0 ++0+0 ++0+0 + 0 @>(  @X @ C <    @ S X< @   @Licensias poeticasH @ 0޽h ? ̙33 0 D(  DX D C <    D S _< @    Arte mayorH D 0޽h ? ̙33 0 H>(  HX H C <    H S d< @   @ Arte menorH H 0޽h ? ̙33 0 L:(  LX L C <    L S `k< @   <Clasificacion H L 0޽h ? ̙33 0 PE(  PX P C <    P S < @   GVersos esdrujulos H P 0޽h ? ̙33 0 pT?(  TX T C <    T S q< @   A Verso agudoH T 0޽h ? ̙33 0 `X(  XX X C <    X S x< @    Verso llanoH X 0޽h ? ̙33 0 P\3(  \X \ C <    \ S }< @   5metricaH \ 0޽h ? ̙33 0 0`9(  `X ` C <    ` S ,< @   ; inttroduccion H ` 0޽h ? ̙33  0 )(  ^  S <     c $胱< @    Verso llanoH  0޽h ? ̙33  0 )(  ^  S <     c $ < @    Verso llanoH  0޽h ? ̙33 0 )(  ^  S <     c $=< @    Verso llanoH  0޽h ? ̙33 0 )(  ^  S <     c $< @    Verso llanoH  0޽h ? ̙33 0  )(  ^  S <     c $̉< @    Verso llanoH  0޽h ? ̙33 0 J(  ^  S <     c $< @   @Licensias poeticasH  0޽h ? ̙33 0 0)(  ^  S <     c $< @    Verso llanoH  0޽h ? ̙33 0 @)(  ^  S <     c $ԛ< @    Verso llanoH  0޽h ? ̙33 0 P)(  ^  S <     c $ < @    Verso llanoH  0޽h ? ̙33 0 `)(  ^  S <     c $< @    Verso llanoH  0޽h ? ̙33 0 p)(  ^  S <     c $謱< @    Verso llanoH  0޽h ? ̙33 0 F(  ^  S <     c $̲< @   <Clasificacion H  0޽h ? ̙33 0 F(  ^  S <     c $< @   <Clasificacion H  0޽h ? ̙33 0 (F(  (^ ( S <    ( c $<< @   <Clasificacion H ( 0޽h ? ̙33 0 0F(  0^ 0 S <    0 c $Lű< @   <Clasificacion H 0 0޽h ? ̙33 0 8F(  8^ 8 S <    8 c $|˱< @   <Clasificacion H 8 0޽h ? ̙33 0 @F(  @^ @ S <    @ c $|ѱ< @   <Clasificacion H @ 0޽h ? ̙33 0 HF(  H^ H S <    H c $ױ< @   <Clasificacion H H 0޽h ? ̙33! 0 hF(  h^ h S <    h c $ݱ< @   <Clasificacion H h 0޽h ? ̙33" 0 pF(  p^ p S <    p c $< @   <Clasificacion H p 0޽h ? ̙33# 0 xF(  x^ x S <    x c $D< @   <Clasificacion H x 0޽h ? ̙33$ 0  F(  ^  S <     c $ < @   <Clasificacion H  0޽h ? ̙33% 0 0F(  ^  S <     c $X< @   <Clasificacion H  0޽h ? ̙33& 0 PJ(  ^  S <     c $< @   @Licensias poeticasH  0޽h ? ̙33' 0 @J(  ^  S <     c $< @   @Licensias poeticasH  0޽h ? ̙33( 0 `J(  ^  S <     c $< @   @Licensias poeticasH  0޽h ? ̙33) 0 pJ(  ^  S <     c $H< @   @Licensias poeticasH  0޽h ? ̙33* 0 J(  ^  S <     c $< @   @Licensias poeticasH  0޽h ? ̙33+ 0 J(  ^  S <     c $#< @   @Licensias poeticasH  0޽h ? ̙33, 0 J(  ^  S <     c $)< @   @Licensias poeticasH  0޽h ? ̙33- 0 J(  ^  S <     c $0< @   @Licensias poeticasH  0޽h ? ̙33. 0 J(  ^  S <     c $<6< @   @Licensias poeticasH  0޽h ? ̙33/ 0 J(  ^  S <     c $t<< @   @Licensias poeticasH  0޽h ? ̙330 0 J(  ^  S <     c $B< @   @Licensias poeticasH  0޽h ? ̙331 0 J(  ^  S <     c $H< @   @Licensias poeticasH  0޽h ? ̙332 0 J(  ^  S <     c $$O< @   @Licensias poeticasH  0޽h ? ̙333 0  J(  ^  S <     c $4U< @   @Licensias poeticasH  0޽h ? ̙334 0 0J(  ^  S <     c $t[< @   @Licensias poeticasH  0޽h ? ̙336 0 @ J(   ^   S <      c $|a< @   @Licensias poeticasH   0޽h ? ̙337 0 (J(  (^ ( S <    ( c $g< @   @Licensias poeticasH ( 0޽h ? ̙33r`d5Oi~c  PZ/9Sle[/% ~ _ y@ !#M4g36T{ aͩ"~$i:|&z(x*v,Iu<Yt.r0Wp2vr4R t6<v8x:z<|>~@B*DGFe@zp6j@HJLNo`VP\R5%6TtOh+'0 hp    PowerPoint Presentation Sonia Torna CapsulesUser93Microsoft PowerPoint@rɠ@୧)@:NrOG g  N&  y--$xx--'f--$x x --'--&$88         88--'3--$ " " ( ((("" "--'--$ ""#$%&'(( ( ""--'-- $---- $--'--$---- $--'@BOld English Text MT-. 2 6Curso .. 2 5Curso ."System7-@BOld English Text MT-.  2 Qde ..  2 Pde .-@BOld English Text MT-. 2 \ Literatura.. 2 [ Literatura.--- $(---- $(--'--%x--'--%qq--'--%x--'@"Calibri-.  2 B1Poes ..  2 A0Poes .-@"Calibri-.  2 Bb'..  2 Aa'.-@"Calibri-.  2 Bha' ..  2 Aga' .-՜.+,0    Presentacin en pantallafT11 7Times New RomanArial WingdingsOld English Text MTCalibri CpsulasDiapositiva 1Diapositiva 2Diapositiva 3Diapositiva 4Diapositiva 5Diapositiva 6Diapositiva 7Diapositiva 8Diapositiva 9Diapositiva 10Diapositiva 11Diapositiva 12Diapositiva 13Diapositiva 14Diapositiva 15Diapositiva 16Diapositiva 17Diapositiva 18Diapositiva 19Diapositiva 20Diapositiva 21Diapositiva 22Diapositiva 23Diapositiva 24Diapositiva 25Diapositiva 26Diapositiva 27Diapositiva 28Diapositiva 29Diapositiva 30Diapositiva 31Diapositiva 32Diapositiva 33Diapositiva 34Diapositiva 35Diapositiva 36Diapositiva 37Diapositiva 38Diapositiva 39Diapositiva 40Diapositiva 41Diapositiva 42Diapositiva 43Diapositiva 44Diapositiva 45Diapositiva 46Diapositiva 47Diapositiva 48Diapositiva 49 Fuentes usadasPlantilla de diseoTtulos de diapositiva1Root EntrydO)6PicturesCurrent UserASummaryInformation(#_^V Marcia FordMarcia FordRoot EntrydO)9PicturesCurrent UserASummaryInformation(#_^V Marcia FordMarcia Ford  !"#$%&'()*+,-./0123456789:;<=>?@ABCDEFGHIJKLMNOPQRSTUVWXYZ[\]^_`abcdefghijklmnopqrstuvwxyz{|}~      !"#$%&'()*+,-./0123456789:;<=>?@ABCDEFGHIJKLMNOPQRSTUVWXYZ[\]^_`abcdefghijklmnopqrstuvwxyz{|}~      !"#$%&'()*+,-./0123456789:;<=>?@ABCDEFGHIJKLMNOPQRSTUVWXYZ[\]^_`abcdefghijklmnopqrstuvwxyz{|}~Root EntrydO)PicturesCurrent UserSummaryInformation(PowerPoint Document(VDocumentSummaryInformation8